CONTEXT FOR STREETCAR NAMED DESIRE

These links which follow have critical context which is needed in your exams!!!!
One is focused on Williams life, the other is American society

1. Williams
2. American society

Brief Biography of Tennessee Williams

Born in Columbus, MS, Williams moved to St. Louis, MO as a child. Williams’s literary career began early: at age sixteen, Williams won five dollars for an essay entitled “Can a Good Wife be a Good Sport?” Williams attended the University of Missouri, where he frequently entered writing contests as a source of extra income. But after Williams failed military training during junior year, his father pulled him out of college and put him to work in a factory. At age twenty-four, Williams suffered a nervous breakdown, left his job, and returned to college, studying at Washington University in St. Louis but finally graduating from the University of Iowa in 1938. Williams lived in the French Quarter of New Orleans in 1939, writing for the Works Progress Administration. He later traveled to Hollywood to work as a screenwriter.

Historical Context of A Streetcar Named Desire

During and immediately after World War II, most of the mainstream American art was patriotic and optimistic, rallying the country around the idea of a robust, victorious nation. Many critics see Brando’s dangerous yet seductive portrayal of Stanley as leading the way for the youth movement and the rock-and-roll culture of the 1950s and 1960s.

Extra Credit for A Streetcar Named Desire

That Rattle-trap Streetcar Named Desire. The Desire streetcar line operated in New Orleans from 1920 to 1948, going through the French Quarter to its final stop on Desire Street.

Streetcar on the silver screen. The original 1947 Broadway production of Streetcar shot Marlon Brando, who played Stanley Kowalski, to stardom. Brando’s legendary performance cemented the actor’s status as a sex symbol of the stage and screen. Elia Kazan, who directed both the original Broadway production and the 1951 film adaptation, used the Stanislavski method-acting system, which focuses on realism and natural characters instead of melodrama. The Stanislavski system asks actors to use their memories to help give the characters real emotions. Brando based his depiction of Stanley on the boxer Rocky Graziano, going to his gym to study his movements and mannerisms. Largely due to Brando’s Stanley and Vivian Leigh’s iconic Blanche, Kazan’s film has become a cultural touchstone, particularly Brando’s famous bellowing of “STELL-LAHHHHH!”

Oh, Streetcar! In an episode of The Simpsons, the characters stage a musical version of A Streetcar Named Desire called Oh, Streetcar! Mild-mannered Ned Flanders as Stanley gives the famous “STELLA” yell, singing, “Can’t you hear me yell-a? You’re putting me through hell-a!”

Good luck




Raphel, Adrienne. "A Streetcar Named Desire." LitCharts. LitCharts LLC, 16 Sep 2013. Web. 27 Feb 2017.